Jen Schriever

Bio:

Jen Schriever is a Tony Award–winning lighting designer working across Broadway, the West End, Off-Broadway, regional theatre, and opera. 

Most recently, Schriever received the Tony Award, Drama Desk Award and Outer Critics Circle Award for Outstanding Lighting Design for The Lost Boys at the Palace Theatre, a 12-time Tony Award–nominated production that earned her a Tony Award nomination for Best Lighting Design, shared with co–lighting designer Michael Arden.

She received two Tony nominations for her lighting design of A Strange Loop at the Lyceum Theatre and Death of a Salesman at the Hudson Theatre. She is also an Obie Award-winner for Sustained Excellence in Lighting Design and received an Obie Award Special Citation as part of the creative team and ensemble of A Strange Loop.

On Broadway and in the West End, her work includes Death Note and A Strange Loop (Barbican), 860, The Fantasticks, Art (Music Box Theatre), Glengarry Glen Ross (Palace Theatre), Eureka Day and Lackawanna Blues (MTC, Samuel J. Friedman Theatre), Death of a Salesman (Hudson Theatre), 1776 and Birthday Candles (American Airlines Theatre), A Strange Loop (Lyceum Theatre, The Barbican), Mother Play; Grand Horizons and What the Constitution Means to Me (Helen Hayes Theater), The Lifespan of a Fact (Studio 54), Eclipsed (Golden Theatre), and John Leguizamo’s Ghetto Klown (Lyceum Theatre and HBO).

Off-Broadway and New York credits include Antigone (This Play I Read in High School) and The Other Americans (Public Theater), Strategic Love Play (Audible, Minetta Lane Theatre), Spain (Second Stage, Tony Kiser Theatre), Shhh (Atlantic Theater Company), Power Strip (Lincoln Center Theater, Claire Tow Theater), Usual Girls (Roundabout Theatre Company), Strange Interlude (Irondale Theatre, Transport Group), Emmet Otter’s Jug-Band Christmas (New Victory Theater), and Selling Kabul (Playwrights Horizons).

Regionally, her work includes Iceboy! And Highway Patrol (Goodman Theatre), Uncle Vanya (Berkeley Repertory Theatre), Hippest Trip: The Soul Train Musical (American Conservatory Theater), A Transparent Musical (Mark Taper Forum), A Strange Loop (Woolly Mammoth Theatre Company).  She earned a Helen Hayes award for Private Jones at Signature Theatre DC.

In opera, Schriever has designed A Thousand Splendid Suns (Seattle Opera), Iphigenia (tour), The Pearl Fishers and Die Fledermaus (Metropolitan Opera), and La Traviata, Faust, and A Midsummer Night’s Dream at the Mariinsky Theatre in Russia, as well as The Pearl Fishers for English National Opera in London.

Jen teaches lighting design for the conservatory theatre program at SUNY Purchase.