Balancing Act

Session details:

This talk explores the ongoing search for equilibrium between projected visuals, spatialized sound, lighting, and live performance – asking where immersive technology serves the work, and where it begins to compete with it. The discussion draws on a collaborative process between artists, a music producer, a spatialized sound designer, and an immersive media designer, examining how that interdisciplinary exchange shapes decisions about scale, density, and focus. Hardware and software from Pixera, Epson, ETC, Robe, and Meyer Sound – including a 54-channel SpaceMap Go system – form the technological backbone of the work